By Dillian Gordon
. lge fmt, 1981 illus, 2223pp
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Extra info for 100 Great Paintings - Duccio to Picasso
Indeed, Raphael's mastery of the technique of oil painting enabled him to attain the sort of realism Bellini had achieved a few years earlier in his portrait of Doge Loredan (see p. 79). The sitter is shown three-quarter length, and at an angle, turning away from the spectator in inner sorrow. The sensitive, bejewelled fingers of one hand tighten nervously on the arm-rest of the chair while the other so hand clutches a white kerchief. Behind the earnest, brooding eyes, sunken jaw, and sagging bulbous cheeks is sensed the substructure of a skull.
For the Medici it represented a fanfare of political propaganda, since constructed of flat although the series was described in 1492 as depicting the Rout of San Romano, what took place in 1432 was actually a minor skirmish between the forces of Florence and Siena. Incongruously emerging from lush greenery hung with glowing ripe oranges and full-blown pink and white roses, ride the sinister Florentine knights in armour, painted with transparent glazes on silver leaf, with closed visors protecting their anonymity.
Such a 48 restless 4g Italian School LEONARDO da Vinci Cartoon: The with St. 1452-1519 Chalk on paper, mounted on canvas, The word cartoon A Virgin and Child St. 04 derives from the Italian cartone meaning a large sheet of and large-scale panel-paintings would normally make a small sketch for a picture and then scale it up to the size required. The outlines were pricked through on to the gesso and pounced: that is, charcoal was dusted through the holes, leaving an outline for painting when the paper was removed.
100 Great Paintings - Duccio to Picasso by Dillian Gordon